Interrogating the 'Social Music Revolution'

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The term ‘revolution’ implicitly implies an overthrow of an existing system or in the very least a radical change. With websites like Last.fm promoting its ‘social music revolution’ one is led to believe that we are indeed facing a major shift. Some claim that the internet will revolutionise music practices and displace the mainstream music industry by democratising music production and music consumption. To the contrary, this paper argues that the claims made about the potential of the internet are somewhat idealistic. Instead I suggest that the internet, in particular the Last.fm website, promotes a false sense of self-empowerment and claims a level of democratisation that it cannot support.


Keywords: Genre, Web 2.0, Social Networking, Deleuze and Guattari, Rhizome
Stream: Arts Theory and Criticism
Presentation Type: Virtual Presentation in English
Paper: , , Interrogating the ‘Social Music Revolution’


Michelle Stead

Student, Music
School of Communication Arts

Sydney, NSW, Australia

Successfully completed Bachelor of Music at University of Western Sydney, Australia. Currently undertaking post-graduate (Hons) study.

Ref: A08P0248